第106章 宝墨之光
First， it es from the brilliance of Su Tungpo’s own mind， stamped upon every line he wrote， like the black luster of ink in the two original bamboo paintings by Su that I have seen， which still glistens as if it were applied only an hour ago.
第一，是由于苏东坡本人心智上才华的卓越，深深印在他写的每一行诗上，正如我所看见的他那两幅墨竹上那乌黑的宝墨之光，时至今日，依然闪耀照人，就犹如他蘸笔挥毫是在顷刻之前一样。
拓展：
宁可食无肉，不可居无竹。
无肉令人瘦，无竹令人俗。
人瘦尚可肥，士俗不可医。
旁人笑此言，似高还似痴。
若对此君仍大嚼，世间那有扬州鹤？
——苏轼《於潜僧绿筠轩》
「此君」用典注释：
王徽之酷爱竹子，有一次借住在朋友家，立即命人来种竹，人问其故，徽之说：“何可一日无此君。”在本诗中，此君即是竹子。
拓展：中国画里的墨色
墨分五色，常指焦、浓、重、淡、清，再加干湿二重。
② This is a curious phenomenon， as in the case of Shakespeare， too. The vitality of Shakespeare’s lines， ing straight from a sensitive and generous mind， remains fresh today. In spite of the labors of generations of research scholars， we still know extremely little about his external life; yet we feel some four hundred years after his death that we know the recesses of his mind by the power of emotion he injects into his writing.
这是天地间一大奇迹，在莎士比亚的创作上，亦复如此。莎翁诗句的遒健，是来自诗人敏感的天性与开阔豁达的胸襟，至今依然清新如故。纵然有后代学者的钻研考证，我们对莎士比亚的生活所知者仍极稀少；可是在他去世四百年之后，由于他作品中感情的力量，我们却知道了他的心灵深处。
